成为简奥斯汀 里的一句台词
经典对白：成为简·奥斯汀 Becoming Jane(2007) Mrs. Austen: Affection is desirable. Money is absolutely indispensable! Jane Austen: If I marry, I want it to be out of affection. Like my mother. Mrs. Austen: And I have to dig up my own bloody potatoes! Tom Lefroy: How can you, of all people, dispose of yourself without affection? Jane Austen: How can I dispose of myself with it? Mrs. Austen: JANE! Lady Gresham: What is she doing? Mr. Wisley: Writing. Lady Gresham: Can anything be done about it? Tom Lefroy: What value will there ever be in life, if we aren't together? Jane Austen: My characters shall have, after a little trouble, all that they desire. Tom Lefroy: If you wish to practice the art of fiction, to be considered the equal of a masculine author, then your horizons must be... widened.
求 成为简 奥斯汀 电影中的一句英文台词
If our love destroys your family，it will destroy itself
成为简·奥斯汀 电影台词pdf
简：我读了你推荐的书，我看了，但我不赞同。
汤姆：你当然不会同意。
但不同意什么
场景、人物、还是文笔
简：不，那都很好。
汤姆：是道德准则?简：有缺陷。
汤姆：没错，肯定是这个，但为什么
恶行带来苦难，美德带来回报，坏人没有好下场。
简：非常正确，但在现实生活中，坏人却能活得很长，比如你，小说必须展现世界的真实性，人物真实的想法以及故事发生的原貌，一部小说必须能够揭示我们一言一行的来源。
汤姆：那主人公的情感呢
简：在我看来，先生，正是主人公强烈的情感，给他以及和他有关的所有人带来了麻烦。
汤姆：好吧，如果这本书给你带来了麻烦．．．简：一个孤儿经历过麻烦．．．露西：什么麻烦
简：很多麻烦。
求成为简奥斯汀中的经典曲目
呵呵，我有，我也很喜欢电影中那一段哦~~你直接去酷狗上搜 hole in the wall 成为简奥斯汀mp3O(∩_∩)O~大提琴版的哦。
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如果不行的话，就再找我要哦。
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求关于几个世纪前的英国的电影。
像成为简奥斯汀 傲慢与偏见 赎罪 公爵夫人之类的~
BBC拍的迷你剧都很不错，推荐下我看过的简奥斯汀6部曲：《傲慢与偏见》（1995版的很经典），《理智与情感》，《爱玛》（2008版不错），《劝导》，《诺桑觉寺》，《曼斯菲尔德庄园》除了奥斯汀之外的英国庄园片：《南方与北方》，《锦绣佳人》，《荒凉山庄》，《雀起乡到烛镇》（英剧）等等等还有描写宫廷斗争的《年轻的维多利亚》，《另一个波林家的女孩》
我马上就要参加一个叫做英语电影情景对白的一个活动，想找一个很经典的对白环境。
，求各位才子帮忙。
我记得《成为简奥斯汀》里面有段男女主人公的激烈对白，具体在哪里记不清了
关于简·奥斯汀的国内外评论 中英文皆可 最好有关于《情感与理智》这本书的评论
【Jane Austen】Jane Austen (16 December 1775 – 18 July 1817) was an English novelist whose works of romantic fiction, set among the landed gentry, earned her a place as one of the most widely read writers in English literature, her realism and biting social commentary cementing her historical importance among scholars and critics.Austen lived her entire life as part of a close-knit family located on the lower fringes of the English landed gentry. She was educated primarily by her father and older brothers as well as through her own reading. The steadfast support of her family was critical to her development as a professional writer. Her artistic apprenticeship lasted from her teenage years until she was about 35 years old. During this period, she experimented with various literary forms, including the epistolary novel which she tried then abandoned, and wrote and extensively revised three major novels and began a fourth. From 1811 until 1816, with the release of Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814) and Emma (1816), she achieved success as a published writer. She wrote two additional novels, Northanger Abbey and Persuasion, both published posthumously in 1818, and began a third, which was eventually titled Sanditon, but died before completing it.Austen's works critique the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century realism. Her plots, though fundamentally comic, highlight the dependence of women on marriage to secure social standing and economic security. Her work brought her little personal fame and only a few positive reviews during her lifetime, but the publication in 1869 of her nephew's A Memoir of Jane Austen introduced her to a wider public, and by the 1940s she had become widely accepted in academia as a great English writer. The second half of the 20th century saw a proliferation of Austen scholarship and the emergence of a Janeite fan culture.【Contemporary responses】In 1816, the editors of The New Monthly Magazine noted Emma's publication but chose not to review it.Austen's works brought her little personal renown because they were published anonymously. Although her novels quickly became fashionable among opinion-makers, such as Princess Charlotte Augusta, daughter of the Prince Regent, they received only a few published reviews.[89] Most of the reviews were short and on balance favourable, although superficial and cautious.[90] They most often focused on the moral lessons of the novels.[91] Sir Walter Scott, a leading novelist of the day, contributed one of them, anonymously. Using the review as a platform from which to defend the then disreputable genre of the novel, he praised Austen's realism.[92] The other important early review of Austen's works was published by Richard Whately in 1821. He drew favourable comparisons between Austen and such acknowledged greats as Homer and Shakespeare, praising the dramatic qualities of her narrative. Whately and Scott set the tone for almost all subsequent 19th-century Austen criticism.【Sense and Sensibility】Sense and Sensibility is a novel by the English novelist Jane Austen. Published in 1811, it was Austen's first published novel, which she wrote under the pseudonym A Lady.The story is about Elinor and Marianne, two daughters of Mr Dashwood by his second wife. They have a younger sister, Margaret, and an older half-brother named John. When their father dies, the family estate passes to John, and the Dashwood women are left in reduced circumstances. The novel follows the Dashwood sisters to their new home, a cottage on a distant relative's property, where they experience both romance and heartbreak. The contrast between the sisters' characters is eventually resolved as they each find love and lasting happiness. Through the events in the novel, Elinor and Marianne encounter the sense and sensibility of life and love.The book has been adapted for film and television a number of times, including a 1981 serial for TV directed by Rodney Bennett; a 1995 movie adapted by Emma Thompson and directed by Ang Lee; a version in Tamil called Kandukondain Kandukondain released in 2000; and a 2008 TV series on BBC adapted by Andrew Davies and directed by John Alexander. An upcoming adaption is an American drama-romantic comedy film titled From Prada to Nada which was adapted by Luis Alfaro, Craig Fernandez, and Fina Torres to be a Latina version of the novel with an expected release date of January 28, 2022.【Critical appraisal of Sense and Sensibility】Austen wrote the first draft of Elinor and Marianne (later retitled Sense and Sensibility) in epistolary form sometime around 1795 when she was about 19 years old. While she had written a great deal of short fiction in her teens, Elinor and Marianne was her first full-length novel. The plot revolves around a contrast between Elinor's sense and Marianne's emotionalism; the two sisters may have been loosely based on the author and her beloved elder sister, Cassandra, with Austen casting Cassandra as the restrained and well-judging sister and herself as the emotional one.Austen clearly intended to vindicate Elinor's sense and self-restraint, and on the simplest level, the novel may be read as a parody of the full-blown romanticism and sensibility that was fashionable around the 1790s. Yet Austen's treatment of the two sisters is complex and multi-faceted. Austen biographer Claire Tomalin argues that Sense and Sensibility has a wobble in its approach, which developed because Austen, in the course of writing the novel, gradually became less certain about whether sense or sensibility should triumph.[2] She endows Marianne with every attractive quality: intelligence, musical talent, frankness, and the capacity to love deeply. She also acknowledges that Willoughby, with all his faults, continues to love and, in some measure, appreciate Marianne. For these reasons, some readers find Marianne's ultimate marriage to Colonel Brandon an unsatisfactory ending.[3] The ending does, however, neatly join the themes of sense and sensibility by having the sensible sister marry her true love after long, romantic obstacles to their union, while the emotional sister finds happiness with a man whom she did not initially love, but who was an eminently sensible and satisfying choice of a husband.The novel displays Austen's subtle irony at its best, with many outstanding comic passages about the Middletons, the Palmers, Mrs Jennings, and Lucy Steele.