<辛德勒的名单>里的10句有名台词，中英文。
1、Amon Goeth: The truth, Helen, is always the right answer. 阿蒙·高斯：说实话，海伦，总是正确的答案。
2、Amon Goeth: Today is history. Today will be remembered. Years from now the young will ask with wonder about this day. Today is history and you are part of it.阿蒙·高斯：今天是历史性的一天，今天将会被永远记住。
很多年以后，年轻人将会用崇敬和好奇来询问今天发生的一切。
今天是历史性的一天、并且你们就是其中的一部分。
3、Oskar Schindler: I could have got more out. I could have got more. I don't know. If I'd just... I could have got more. 奥斯卡·辛德勒：我可以救出更多人的。
我本可以救出更多。
我不知道。
如果我试试。
我可以救出更多人。
4、Itzhak Stern: Oskar, there are eleven hundred people who are alive because of you. Look at them. 伊萨克·斯特恩：奥斯卡，因为你已经有一千一百人活了下来。
看看他们。
5、Itzhak Stern: There will be generations because of what you did. 伊萨克·斯特恩：世世代代都会记得你的所作所为。
6、Oskar Schindler: This car. Goeth would have bought this car. Why did I keep the car? Ten people right there. Ten people. Ten more people. 奥斯卡·辛德勒：这汽车。
高斯可能会买下这辆车。
我为什么要留下这辆车
它能换下十个人。
十个人。
十个更多的人。
7、whoever saves one life ,saves the world entire . 当你挽救了一条生命就等于挽救了全世界。
8、The list is an absolute good ,the list is life ,All around its margins lies the gulf 这份名单代表着至善，这份名单就是生命，名单的外围是一片可怕的深渊
9、Oskar Schindler: Look, All you have to do is tell me what it's worth to you. What's a person worth to you? 奥斯卡·辛德勒：看着，你所需要做的事情就是告诉我，它对你来说，值多少钱。
你看一个人值多少
10、Oskar Schindler: I could have gotten one more person... and I didn't! And I... I didn't! 奥斯卡·辛德勒：我可以多救一个人…我却没有
可是我…我没有
辛德勒的名单台词（全部）
lz,全部台词太长，发不完，这是我找的中英文台词按时间排列完整版
《辛德勒的名单》的中英文简介
1.中文： 《辛德勒的名单》（Schindler's List）根大利亚家托马斯·肯尼利所著的《辛德单》改编而成。
是1993年由史蒂文·斯皮尔伯格导演的一部电影。
影片再现了德国企业家奥斯卡·辛德勒与其夫人埃米莉·辛德勒在第二次世界大战期间倾家荡产保护了1200余名犹太人免遭法西斯杀害的真实历史事件。
本片包揽了第66届奥斯卡金像奖的7大奖项及第51届金球奖的7项大奖2.英文简介： Schindler's list (Schindler'sList), is a film directed by Stephen Spielberg,released in 1993 USA film, according to the Australian novelist Thomas Konejares's Schindler's list adapted. The film a true German entrepreneur Oscar, Schindler in the Second World War to protect free fascist killed 1200 Jews, true historical events. Get sixty-sixth (1993) Oscar twelve nominations, winning best picture, best director, best adapted screenplay,best art direction, best cinematography, best film editing, best original musicaward seven. In addition to the Oscar prize, the film also won seven BritishAcademy of film and Television Arts Awards, three golden globe awards.补充： 导 演 ： 史蒂文·斯皮尔伯格 主 演 ： 连姆·尼森，本·金斯利，拉尔夫·费因斯，卡罗琳·古道尔 类 型 ：剧情/历史/战争
求“辛德勒的名单”的英文剧本
我不信你一点儿时间都没有。
买一张好的DVD（D9一区的），自己抄英文字幕吧～整个电影两个多小时，自己选吧～好的DVD带分节的。
求《辛德勒的名单》英文评价
It (Schindler's list) has profoundly exposed the German Fascist massacre of the Jews of terrorist crimes, and has a very high artistic, the seriousness of its ideology and extraordinary artistic expression has reached almost insurmountable depth. We awarded the Oscar prize for the film, which is deserved. And Stephen Spielberg also won the Oscar Award for the first time, for his talent, this is a must for being late.-- the sixty-sixth Oscar prize jurySchindler's list has a review of the history, the development of the art of meditation, I urgently ask you to see the film.- former U.S. President Clinton望采纳 谢谢
求《辛德勒的名单》的英文影评，越详细越好，谢
*** This comment may contain spoilers ***The Holocaust is undoubtedly one of the most significant and horrifying events of the twentieth century. Between 1938 and 1945, the Jewish population was segregated and persecuted, culminating in the merciless slaughter of approximately six million Jews (this figure is quoted in the film, though most historical estimates vary between five and seven million). Amidst all this butchery, one man decided to make a difference, famously saving the lives of more than 1100 Jews- men, women and children who would otherwise have been killed.Oskar Schindler (played brilliantly by Liam Neeson, Batman Begins) was a Sudeten German industrialist, a wealthy womanizer who wasn't afraid to throw his money around. Always bearing his Nazi Party badge proudly, Schindler would often frequent nightclubs, extravagantly showering high-ranked Nazi officers and their girlfriends with champagne and caviar. With impeccable connections in the black-market, there was little that he couldn't get his hands on, and he was a good person to know. Buying friends was something that Schindler could do well, and he would often use these newfound alliances to aid his own business ventures. When thousands of the Polish Jew population was relegated to the Kraków Ghetto in 1941, Schindler saw an opportunity for further success, enlisting desperate Jewish investors and employing Jewish workers (who were substantially cheaper to employ) to open an enamelware factory. His connections in high places ensured lucrative army contracts, and Schindler need only have watched as his personal fortune grew, despite doing little to run the company beyond offering it a certain panache.It is clear from the beginning that Oskar Schindler does not harbour any racial prejudices. When Schindler requests the services of Itzhak Stern (a superb Ben Kingsley, Gandhi), a clever, humanitarian Jewish accountant, Stern declares that, By law I have to tell you, sir, I'm a Jew. Well, I'm a German, so there we are, replies Schindler indifferently, before getting straight to business. It is not race that he is concerned with, it is himself… and, of course, his money. Stern does not enjoy running Schindler's business, and he initially acquires little satisfaction from it. When Schindler attempts to convey his genuine gratitude for his profitable services with a glass of whiskey, Stern absentmindedly refuses to drink it, and an embittered Schindler drinks it himself before ordering Stern to leave.With the arrival of Amon Goeth (played as the epitome of evil by Ralph Fiennes, Red Dragon), a Hauptsturmführer of the SS, the hopeless plight of the Jews grows darker. In a harrowing extended sequence, largely based on the testimonies of Holocaust survivors, the Jews are mercilessly liquidated from the Krakow Ghetto, many simply shot on the spot. Today is history, proclaims Goeth. Today will be remembered. Years from now the young will ask with wonder about this day. Today is history and you are part of it…. For six centuries there has been a Jewish Krakow. By this evening those six centuries will be a rumor. They never happened. Today is history.This sequence also marks the celebrated appearance of the little girl in the red coat. An ingenious plot device, the character was based upon a real girl named Roma Ligocka who, unlike her film counterpart, survived the war, and wrote a memoir entitled The Girl in the Red Coat: A Memoir. The embodiment of innocence, Schindler spots the small girl wandering amongst the black-and-white chaos of the Krakow Ghetto, and we follow her as she retreats into a building and takes shelter under a bed. When Schindler later notices her disheveled corpse carted past him to be incinerated, he is understandably horrified, unable to understand how the soldiers could possibly destroy something so innocent. This event memorably signifies the turning-point of Schindler's attitudes towards the carnage, fuelling his desire to save as many Jews as possible.Long known as a blockbuster filmmaker – with such adventure classics as Jaws, E.T. The Extra Terrestrial and Raiders of the Lost Ark to his name - Schindler's List was - and remains - Steven Spielberg's most mature directorial effort. Working with a screenplay that Steven Zaillian adapted from Thomas Keneally's Booker Prize-winning 'Schindler's Ark,' Spielberg treats the subject matter with the respect it deserves. Wisely choosing to depict the events as realistically as possible, Spielberg allows the images to speak for themselves. Flawless acting, stunning cinematography and a haunting John Williams score excel this film above all others of the 1990s. This is the powerful story of the difference that just one man can make, and it is a story that deserves to be seen by all. We can only feel grateful that it was Steven Spielberg who chose to be at the helm. =========================Rather than impress you (the reader) with a grandeur review of the movie, I will sum up what the people are saying about this movie called Schindler's List.It's brilliant, beautifully shot in black and white, but it's a Spielberg film, it did have it's share of flaws.Despite the many rants from other users saying that if it's Spielberg, it mustn't be that good, I still can't understand why people would rate this film with the lowest rating possible(1 out of 10, which = awful movie).I rated this film a 10 out of 10. Why? Now come on, Dude, it's a Hollywood Movie I was told by a fellow student in school. Yes, but when was the last time any Hollywood made a movie like this? When was the last time you saw a Hollywood Movie that was actually worth watching for 3 whole hours? I appreciate that any kind of film that is anything as dramatic as this can actually get made in Hollywood today, let alone get made way back in 1993. I find this film great for the fact that this doesn't stick to every Hollywood stereotype, cliche, bullsh**, and lie that seems to fill most Hollywood Movies.Flaws. Let's face it, pretty much every film has them, even a huge movie loving geek like myself knows that. Yes, the ending is a bit pretentious(but I felt that the ending for Saving Private Ryan was a bit pretentious too, though I still think that it's also an excellent film). Having seen this a few times already I can see where the arguments over the character lacking enough depth and being rather 2-dimensional have some truth in them.Schindler's List, like any other film, has flaws. Truth is that any film, whether it be directed by Kubrick, Stone, Tarantino, Malick, or Spielberg, will most likely have flaws no matter how noticeable or unnoticeable they are.What I feel after several viewings. Despite the films flaws, it stands out as a very moving, well-intentioned, strong, excellent, and remarkable film. See if you want to, nobody is forcing you to see this movie. I, like many others who haven't fallen into the Everything that is Spielberg sucks crowd, can't deny what a powerful film this is and what a great contribution to movie cinema history it is. ===========================Many people have told me how devastated they were when they saw this movie. But I was just bored. We talked about it and, in the discussions that followed, I was accused of not caring about the victims of the Holocaust. One person even said I was denying the Holocaust happened!And that soured me on the movie even more. The fact is, Holocaust movies have insurance against criticism: if you say the movie is a waste of time, someone might attribute your opinion to the Holocaust itself. I don't understand it, but that weird emotional blackmail made me really uncomfortable with Schindler's List.I thought Liam Neeson was horrible. His acting is very stiff and unconvincing. The use of hand-held cameras and black-and-white cinematography *should* work, but ultimately they amounted to subtle special effects.I thought the movie was emotionally flat, as well. I watched each character go through the motions, wondering when something unexpected would happen. The horror of the Holocaust is shown in an almost clinical way.I don't know. I just felt that this movie would feel less like a bid for an Oscar and more like a personal film.At the risk of being a complete jerk, I'll give Spielberg this advice: Do it again. Make another Holocaust movie. Why not? He finished Kubrick's AI. Kubrick had another movie in the planning stages, a Holocaust film called Aryan Papers (aka Wartime Lies). I hope he'll finish *that* Kubrick movie, too, and create a better Holocaust film, something I can sink into and be surprised by, something that feels much more personal.=======================I mean, has enough time passed? Or has the release of *Schindler's List* on DVD fueled a new hushed awe towards the picture?Spielberg's critic-proof Holocaust film has several problems, the biggest of which is the way it turns a horrible real-life tragedy into a three-hanky melodrama. I continue to maintain that the Holocaust is generally unfilmable, in terms of what we might call a standard movie. Generally unfilmable, but not inevitably unfilmable. Off the top of my head, I can recommend two recent films on this subject: Francesco Rosi's *The Truce*, and Costa-Gavras' *Amen. Both films approach this material with far more nuance than Spielberg's film, which, I repeat, is weepy melodrama. (And as such, treads a fine line between reverence and tastelessness.) For that matter, Polanski's *The Pianist* gives us a more unique approach than what we get here, which is a movie that features a hero whom your average American multiplex popcorn-tub-muncher can easily identify with: a gregarious capitalist named Oskar Schindler (Liam Neeson) who, despite all the war-profiteering (read: initiative), turns out to have a heart of gold. Or marshmallow mush. Please don't bother pointing out that this is a true story: those who've read the actual book by Thomas Kenneally on which the movie is based will be rather shocked by the movie's willingness to sacrifice verisimilitude for dramatic license. The biggest example of this is the villain of the piece, SS-Kommandant Amon Goeth (Ralph Fiennes in a career-making performance). The screenplay ladles all sorts of Freudian syrup over this character, meaning: he's crazy as a loon. So much for the banality of evil: instead, we get, via Fiennes' Method-y performance, a study in mere neurosis instead of a rigorous examination of the murderous pathology that's inherent in humanity. Spielberg can't resist having Herr Goeth develop a crush on one of his Jewish housemaids, and we get the requisite Hath not a Jew eyes speech, delivered with what is supposed to be irony by Fiennes. Then he beats the crap out of her. Change the plot particulars, and you've got your standard Lifetime Channel movie about an abusive husband.Don't get me wrong, the film is not a total waste of time: even melodrama has cumulative virtues, and many of the scenes in *Schindler's List* are quite affecting, particularly the very last sequence in which the surviving Schindler Jews appear (in color), accompanied by the actors who portrayed them. They pay tribute to Schindler by laying stones on his grave. Moving stuff. Ben Kingsley, who portrays the worry-wart Itzhak Stern, must also receive special mention. And Spielberg's technical mastery is never open to question: this is one beautifully mounted film, impeccably photographed. The set-design, which is called upon to perform the daunting task of replicating Nazi labor camps and so forth, is beyond reproach. Proving that he's still the same guy who directed *Jaws*, Spielberg is able to send chills up our spines when a train full of Jewish women & girls is accidentally routed to Auschwitz: it's a night-scene, replete with a light-tower that approximates a beacon from Hell.But, all-in-all, the movie remains an elementary approach to the Holocaust genre. It's tailor-made for desultory viewings by 12th-graders: Hey mom, we learned about the Holocaust in class today. Nothing wrong with that, but aren't the kids better served by a FACTUAL documentary about this subject, rather than an Oscar-baited exercise in self-importance? You decide. =======================已经尽量找了四篇比较长的影评了,希望楼主能满意.
《辛德勒的名单》结尾部分的一句台词
拯救一即拯救了全世界那个犹太人助手对即将离去而又心中充满的辛德勒说句话（就是那个金戒指上打的字）。
最后，得到他帮助的活下来的犹太人，为了纪念辛德勒，在他死后为他修建了墓碑。
并将他认定为教义中的“善人”——“拯救一人，即拯救了全世界”到这里可以下载全部台词：