急求音乐剧《歌剧魅影》的中文剧本，全部。
谢谢了
一幕 THE PHANTOM OF THE OPERA剧院魅影开场CHRISTINE第演出成功，反响热烈。
（魅影主题进入，她从梳妆镜前拿起黑丝带。
）CHRISTINE从梳妆镜前拿起黑丝带玫瑰。
这时魅影说：Bravo, bravo, bravissimi!子爵捧了一束花，进来送给CHRISTINE，两人相认，亲切交谈，子爵让CHRISTINE换衣服去吃晚饭，不等她拒绝就关门出去备车。
CHRISTINE准备换衣服，灯忽然一盏盏灭下去，魅影音乐进入魅影唱白：真傲慢，这个追求时髦的人……两人交替唱或道白。
子爵敲门说：“谁在里面
”The mirror (Angel of music)克里斯蒂娜： 傲慢的男孩
时尚之奴仆 沉醉在你的荣耀之中 无知的愚人
勇敢年轻的追求者 天使 我听到你 请说 我倾听 陪伴我身旁指引我 天使我的灵魂脆弱不堪 原谅我 您终于来了 导师
魅影： 谄媚的孩子 你应了解我 明白我为何藏匿阴影中 看看你镜中的容颜 我就在那里面
克里斯蒂娜： 赐我汝之荣耀 音乐天使 莫再躲藏 来到我身边吧 陌生的天使魅影： 吾乃汝之音乐天使 来到我身边吧 音乐天使子爵： 那是谁的声音?谁在里面
魅影：I am your Angel of Music... Come to me: Angel of Music...魅影在从镜子后面现身，将CHRISTINE带入地下迷宫（蜡烛队上场，穿梭其中）。
The phantom of the opera剧院魅影3：36克里斯蒂娜 沉睡中他对我歌唱 在梦里他来到我身旁 他的声音呼唤着我 声声呼唤着我的名字 我是否又回到梦中 此时我发现 歌剧魅影就在那里 在我心灵最深处魅影： 再次你与我合唱 我们奇特的二重唱 我对你渴望的力量 一次比一次更强烈 纵然你离我而去 留下回眸一瞥 歌剧魅影就在那里 在你心灵最深处克里斯蒂娜： 凡见过你面容之人 都惊吓得倒退一步 我是你戴的面具魅影： 他们听见的是我合唱： 你/我的灵魂和声音和为一体in one combined: 歌剧魅影就在那里克里斯蒂娜： 他就在那里，歌剧魅影在哪里……魅影：Sing, my Angel of Music! Sing, my Angel
Sing, for me! Sing, my Angel
Sing, for me!第二幕 ALL I ASK OF YOU除了你我一无所有魅影大闹剧场后，CHRISTINE带子爵逃离剧场，上到楼顶，两人对白（带上黑丝带玫瑰）扔掉玫瑰，接着三声“CHRISTINE”，第三声由躲在一旁的魅影说（回声）两人开唱：ALL I ASK OF YOU除了你我一无所有5：00拉乌尔： 别再提黑暗 忘记这些恐惧 我在这里，没有什么能伤害你 我的话能温暖并抚慰你 让我带给你自由 让白昼带走你的泪水 我在这里，在你身边陪伴着你 守护并引导你克里斯蒂娜： 说你爱我，在每个梦醒时分 诉说夏日欢乐时光 说你需要我陪伴 从现在直到永远 向我保证你说的都是真的 那就是我对你的期盼拉乌尔： 让我做你的避风港 让我成为你的阳光 你很安全 没人能找到你 你的恐惧将远离你克里斯蒂娜： 解脱是我唯一所求 一个没有黑暗降临的世界 而你，永远陪伴我 支持我并保护我拉乌尔： 而你永远陪伴着我，此生不渝 让我引领你走出孤独 说你需要我陪伴，陪伴在你身畔 无论去何处都让你我形影不离克里斯蒂娜： 那就是我对你的期盼 说你永远陪伴着我，此生不渝 说爱我，我将跟随你合唱：让你我共享每一天，每一个晨昏时分克里斯蒂娜： 说你爱我拉乌尔补充： 你知道我确实爱你合唱：Love me -that's all I ask of you ...无论去何处，都让你我形影不离爱我that's all I ask of you ...两人远去，魅影上场，捡起玫瑰PHANTOM 我赐你音乐 让你的歌声振翅翱翔 现在你是如何回报我 拒绝我又背叛我. 只要他听见你的歌声，就一定会爱上你Christine ...Christine ...RAOUL/CHRISTINE两人在远处吟唱（背景）Say you'll share with me onelove, one lifetime ...say the word and I will follow you ...Share each day with me, each night, each morning ...魅影扯烂玫瑰花，大吼PHANTOM 你会备受诅咒 当你没有做到魅影对你要求那一天时
第三幕 MASQUERADE化妆舞会假面舞蹈（扇子舞）后，音乐突变，灯光转暗，魅影出现：此时，气氛突然由欢乐转为紧张， 大家看到一个装扮成 红色死神 ( The Red Death ) 的人缓缓从台阶上走下，他其实就是 Phantom ( 怎么那么安静... ) Phantom:为什么那么安静
诸位先生好
你认为我永远离开你了吗
你们思念我吗，诸位
我给你们写了一部歌剧，《唐璜的胜利》，——“Don Juan Triumphant”
唱一段插曲，说CHRISTINE应该回到老师（自己）身边Phantom 走向 Christine，扯下她颈上的订婚戒指，转身离去。
你的项链仍然是我的——你会为我歌唱
Phantom唱白： 各位为何不言不语
难道以为我已消失
各位是否想念过我
我已完成另一出歌剧 我带来写好的曲谱 《唐璜的胜利》 我善意的向各位致意 排练开始前我有几点指示 卡洛塔得学习如何演戏 不能像平常一样傲慢的在舞台上踱步 我们的主角唐璜得减肥 对皮安吉这年纪的男人来说并不健康 我的经理们也得明白 他们所长是办公不是艺术 至于我们的明星克莉斯汀 勿庸置疑她一定会全力以赴 她的歌喉的确很好 她也知道，若想更上一层楼 她还有很多需要学习的地方 她的上进心会使她回来找我 她的老师……老师……魅影一把扯下CHRISTINE胸前挂的订婚戒指 你的戒指属于我
你也属于我
子爵持剑追上，灯光忽暗，魅影消失，换场第四幕 出演《唐璜的胜利》The Point of No ReturnPHANTOM 帕斯里诺 - 走开
因为陷阱已经布好等候猎物上门 你已来此 追求你最深切的渴望与梦想 静静地 静静地 我已带来了给你 我们即将融合的热情 在你心中 你已臣服于我 卸下所有防御 完全的臣服于我 如今你与我在此 别无二心，你已下定决心 已下定决心 已经踏上不归路，不能再回头 我们玩得游戏现在已终止 越过了如果或何时的念头 抵抗也无济于事 放弃疑虑 让梦沉淀 什么样的烈火才能吞噬灵魂 多强烈的欲望才能放开心扉 甜蜜的诱惑就在前面等我们 已经踏上不归路 这最终的门槛 是什么样的温暖与未知的秘密 在不归路的尽头等我们克里斯蒂娜：你已带给了我 直到文字感和枯竭的那一刻直到言语无影无踪的那一刻 化作寂静 寂静 我已来到这里 却不知为何而来 在我心中，已经想象我们的身体缠绵纠结 没有抵抗只有沉默 现在我和你在一起， .别无所想，我已作了决定 已经踏上不归路不能再回头 我们的深情相爱终于开始 无论对与错 最后一个问题one final question: 我们还有多久才能结合为一 何时热血才能沸腾 沉睡的花蕾才能绽放出花瓣何时火焰能耗尽我们BOTH 已踏上不归路 这最后的门槛已越过了桥梁，驻足片刻看它燃烧 我们已经踏上不归路PHANTOM转为“All I ask of you”的旋律 说你与我分享终身唯一的爱 指引我拯救我走出孤独 说你要我在这里守在你身旁 无论你去何方让我跟随你 克莉斯汀，是我对你唯一……CHRISTINE扯下魅影的面具，剧院里尖叫声四起，魅影砍断吊桥绳索，带走CHRISTINE，吊灯坠下，剧院陷入混乱，火燃起，拉乌尔去寻找CHRISTINE，全剧终望采纳
QAQ
求《歌剧魅影》里所有歌词及中文翻译
1Think of me,想起我think of me fondly,柔情的想起我when we've said goodbye.当已经说了再见Remember me, once in a while -偶尔想想我please promise me you'll try.请答应我你会试着这样去做When you find that,当你发现once again, 再一次you long to take your heart back and be free -你渴望让自己振作、自由if you ever find a moment,如果你曾找到一瞬间spare a thought for me...想着我We've never said our love was evergreen,我们从没说过我们的爱能永存or as unchanging as the sea -或者像大海一样不曾改变but if you can still remember,但是若你能一直记住stop and think of me...停下来想想我Think of all the things we've shared and seen -想想我们一起分享一起经历过的事don't think about the things which might have been...不要回想可能发生的Think of me,想想我think of me waking,醒着的时候想想我silent and resigned.安静的顺从的Imagine me,想象我trying too hard to put you from my mind.很难把你从记忆中抹去Recall those days,想起那些日子look back on all those times,想起所有过去的日子think of the things we'll never do -想起我们没来得及做的事情there will never be a day,没有一天when I won't think of you...我不在想你Can it be?是这样吗
Can it be Christine?是这样吗
克里斯提娜
Bravo!好啊
What a change!这样的改变
You're really not a bit the gawkish girl that once you were...你实在不是曾经的那个笨拙的女孩了She may not remember me,她可能不会想起我but I remember her...但我记着她We've never said our love was evergreen,我们从没说过我们的爱能永存or as unchanging as the sea -或者像大海一样不曾改变but if you can still remember,但是若你能一直记住stop and think of me...停下来想想我2Phantom Of The Opera - The Mirror (Angel of Music) LyricsPHANTOM'S VOICEInsolent boy! 傲慢的男孩This slave of fashion 时尚之奴仆basking in your glory! 沉浸在你的荣耀之中Ignorant fool! 无知的愚人This brave young suitor, 勇敢年轻的求婚者sharing in my triumph! 分享着我的胜利CHRISTINE (spell-bound)Angel! I hear you! 天使，我听见了Speak - I listen . . .说吧，我洗耳恭听stay by my side, guide me! 陪伴我身旁指引我Angel, my soul was weak - 天使，我的灵魂脆弱不堪forgive me . . . enter at last, 原谅我您终于来了Master! 导师PHANTOM'S VOICEFlattering child, 谄媚的孩子you shall know me, 你应该了解我see why in shadow I hide!明白我为何藏匿阴影中Look at your face in the mirror看看你镜中的容颜- I am there inside! 我就在那里面(The figure of the PHANTOM becomes discerniblebehind the mirror)CHRISTINE (ecstatic)Angel of Music! 音乐天使Guide and guardian! 指引我，守护我Grant to me your glory! 赐予我汝之荣耀Angel of Music! Hide no longer! 音乐天使莫再躲藏Come to me, strange angel... 来到我身边吧，陌生的天使PHANTOMS VOICEI am your Angel ...吾乃汝之音乐天使Come to me: Angel of Music ... 来到我身边吧，音乐天使(CHRISTINE walks towards the glowing,shimmering glass. Meanwhile, RAOUL hasreturned. He hears the voices and is puzzled. Hetries the door It is locked)RAOULWhose is that voice . . .?Who is that in there . . .?(Inside the room the mirror opens. Behind it, inan inferno of white light, stands the PHANTOM.He reaches forward and takes CHRISTINE firmly,but not fiercely, by the wrist. His touch is cold,and CHRISTINE gasps)PHANTOMI am your Angel of Music . . .吾乃汝之音乐天使.Come to me: Angel of Music . . . 来到我身边吧，音乐天使(CHRISTINE disappears through the mirror,which closes behind her The door of the dressingroom suddenly unlocks and swings open, andRAOUL enters to find the room empty)RAOULChristine! Angel!完3CHRISTINE: In sleep he sang to me 在梦中他对我献唱In dreams he came 在梦中他迎面而来That voice which calls to me 声声呼唤着我的名字And speaks my nameAnd do I dream again 我是否又做梦了For now I find 因为我发现The Phantom of the Opera is there 歌剧魅影就在那里Inside my mind在我心中PHANTOM: Sing once again with me 再次与我合唱Our strange duet 奇妙的二重唱My power over you Grows stronger yet我支配你的力量日益向大And though you turn from me 纵然你离我而去To glance behind 留下惊鸿一瞥The Phantom of the Opera is there 歌剧魅影就在那里Inside your mind在你心中CHRISTINE: Those who have seen your face凡见过你面容之人Draw back in fear 蜷缩于恐惧之中I am the mask you wear我是你所戴的面具PHANTOM: It's me they here它们听见的是我PHANTOM/CHRISTINE:My/Your spirit and your/my voice你的灵魂和声音合为一体In one combinedThe Phantom of the Opera is there 歌剧魅影就在那里Inside your/my mind在你心中VOICES OFF STAGE:He's there 他在那里The Phantom of the Opera Beware 歌剧魅影The Phantom of the OperaPHANTOM: In all your fantasy You always knew That man and mysteryCHRISTINE: Were both in youTOGETHER: And in this labyrinth Where night is blind The Phantom of the Opera is thereCHRISTINE: Inside my mindPHANTOM (SPOKEN):Sing, my angel of music唱吧，我的音乐天使CHRISTINE:He's there The Phantom of the Opa...PHANTOM (SPOKEN): Sing for me唱吧，我的音乐天使CHRISTINE: Ra...[While Christine continues]HANTOM (SPOKEN):Sing ... Sing for me ... Sing,my angel of music ... Sing for me[Christine hits high C]4.Night time sharpens, heightens each sensation 深夜里，每一种感觉都在渐渐复苏Darkness wakes and stirs imagination 黑暗唤醒并刺激着幻觉Silently the senses abandon their defenses 无声中，所有感官放下了防备Helpless to resist the notes I write 无法抗拒我笔下乐符的诱惑For I compose the music of the night 因为我谱写了夜之歌Slowly, gently, night unfurls its splendor 慢慢地，轻轻地，夜展现出了它的华丽Grasp it, sense it, tremulous and tender 捕捉它，感觉它，细微却令人震撼Hearing is believing, music is deceiving 听到的乐曲如此真实，但那音乐却似真似幻Hard as lightning, soft as candlelight 烈如闪电，柔若烛光Dare you trust the music of the night 无法至信的夜之歌Close your eyes for your eyes will only tell the truth 闭上你的双眼，因为你的眼睛只会告诉你事实And the truth isn't what you want to see 而事实却不是你所想要看见的In the dark it is easy to pretend 在黑暗中，伪装是多么的容易That the truth is what it ought to be 真理成为了臆想Softly, deftly, music shall caress you 温柔地，轻巧地，音乐将会抚慰你Hear it, feel it secretly possess you 聆听它，感觉它偷偷地控制了你Open up your mind, let your fantasies unwind 敞开你的胸怀，让你的幻想得到释放In this darkness which you know you cannot fight 在这你无法抗拒的黑暗中The darkness of the music of the night 这夜之歌中黑色的魔力Close your eyes, start a journey to a strange new world 闭上你的双眼，踏上向着一个新世界的旅程Leave all thoughts of the world you knew before 抛开你对于这个世界所有的思考Close your eyes and let music set you free 闭上你的双眼，让音乐将你释放Only then can you belong to me 唯有那样你才能属于我Floating, falling, sweet intoxication 时而漂游，时而旋落，甜蜜的陶醉中Touch me, trust me, savor each sensation 抚摸我，相信我，享受每一种感觉Let the dream begin, let your darker side give in 让梦境开始，让你阴暗的一面退却To the power of the music that I write 臣服于我的音乐脚下The power of the music of the night 这夜之歌的魔力You alone can make my song take flight 惟有你可以使我的歌声飞扬Help me make the music of the night 帮助我写出这首夜之歌5.Prima DonnaANDREYour public needs you!FIRMINwe need you, too!CARLOTTAWould you not rather have your precious little ingénue?ANDRE/FIRMINSignora, no!The world wants you!Prima Donna, first lady of the stage!Your devotees are on their knees to implore you!ANDRECan you bow out when they're shouting your name?FIRMINThink of how they all adore you!BOTHPrima Donna, enchant us once again!ANDREThink of your muse ...FIRMINand of the queues round the theatre!BOTHCan you deny us the triumph in store?Sing, prima Donna, once more!RAOULChristine spoke of an angel ...CARLOTTAPrima donna, your song shall live again!ANDRE/FIRMINThink of your public!CARLOTTAYou took a snub, but there's a public who needs you!GIRYShe has heard the voice of the angel of music ...ANDRE/FIRMINThose who hear your voice liken you to an angel!CARLOTTAThink of their cry of undying support!RAOULIs this her angel of music...?ANDREWe get our opera ...FIRMINShe gets her limelight!CARLOTTAFollow where the limelight leads you!ANDRE/FIRMINLeading ladies are a trial!CARLOTTAPrima donna, your song shall never die!You'll sing again and to unending ovation!RAOULOrders! Warnings!Lunatic demandsANDRE/FIRMINlunatic demands are regular occurrences!CARLOTTAThink how you'll shine in that final encore!Sing, prima donna, once more!ANDRE/FIRMINSurely there'll be further scenes -worse than this!RAOULI must see these demands are rejected!ANDRE/FIRMINWho'd believe a diva happy to relieve achorus girl who's gone and slept with the patron?Raoul and the soubrette, entwined in love's duet!Although he may demur, he must have been with her!You'd never get away with all this in a play,but if it's loudly sung and in a foreign tongue,it's just the sort of story audiences adore,In fact a perfect opera!RAOULHis game is over!GIRYThis is a game you cannot hope to win!RAOULAnd in Box Five a new game will begin ...GIRYFor, if his curse is on this opera ...MEGBut if his curse is on this opera ...ANDRE/FIRMINPrima donna, the world is at your feet!A nation waits, and how it hatesto be cheated!Light up the stageWith that age-old rapportSing, prima donna, once more!6.All I Ask of YouRAOULNo more talk of darkness,Forget these wide-eyed fears,I'm here, nothing can harm you -my words will warm and clam you.Let me be your freedom,let daylight dry your tears,I'm here, with you, beside you,to guard you and to guide you .CHRISTINESay you love me every waking moment,Turn my head with talk of summertime,Say you need me with you,now and always,promise me that all you say is true -that's all I ask of you ...RAOULLet me be your shelter,let me be your light.You're safe:No-one will find you -your fears are far behind you ...CHRISTINEAll I want is freedom,a world with no more night ...and you, always besides me,to hold me and to hide me ...RAOULThen say you'll share with me onelove, one lifetime ...let me lead you from your solitude ...Say you need me with you here, beside you ...anywhere you go, let me go too -Christine,that's all I ask of you ...CHRISTINESay you'll share with me onelove, one lifetime ...say the word and I will follow you ...BOTHShare each day with me, eachnight, each morning ...CHRISTINESay you love me ...RAOULYou know I do ...BOTHLove me -that's all I ask of you ...Anywhere you go let me go too ...Love me -that's all I ask of you ...7.MasqueradeFIRMINMonsieur Andre?ANDREMonsieur Firmin?FIRMINDear Andre, what a splendid party!ANDREThe prologue to a bright new year!FIRMINQuite a night! I'm impressed!ANDREWell, one does one's best ...ANDRE/FIRMINHere's to us!ANDREThe toast of all the cityFIRMINWhat a pity that the 'Phantom' can’t be hereCHORUSMasquerade!Paper faces on parade ...Masquerade!Hide your face, so the world will never find you!Masquerade!Every face a different shade..Masquerade!Look around -there's another mask behind you!Flash of mauve .. Splash of puce ...Fool and king ... Ghoul and goose ...Green and black ... Queen and priest ...Trace and rouge ... Face of beast ...Faces !...Take you turn,Take a ride on the merry-go-round ...in an inhuman race ...Eye of gold ... Thigh of blue ...True is false ... Who is who ...?Curl of lip ... Swirl of gown ...Ace of hearts ... Face of clown ...Faces ...Drink it in, drink it up, till you've drownedin the light ... in the sound ...But who can name the face ...Masquerade!Grinning yellows, spinning reds ...Masquerade!Take your fill -let the spectacle astound you!Masquerade!Burning glances, turning heads ...Masquerade!Stop and stareat the sea of smiles around you!Masquerade!Seething shadows, breathing lies ...Masquerade!You can fool any friend who ever knew you!Masquerade!Leering satyrs, peering eyes ...Masquerade!Run and hide -But a face will still pursue you!GIRYWhat a night!MEGWhat a crowd!ANDREMakes you glad!FIRMINMakes you proud!All the creme de la creme!CARLOTTAWatching us watching them!ANDREThree months Of relief!CARLOTTAOf delight!ANDRE/FIRMINOf Elysian peace!MEG/GIRYAnd we can breathe at last!CARLOTTANo more notes!PIANGINo more ghosts!GIRYHere's to health!ANDREHere's a toast: to a prosperous year!FIRMINTo our friends who are here!PIANGI/CARLOTTAAnd may our splendor never fade!FIRMIN/ANDREWhat a blessed release!GIRYAnd what a masquerade!CHRISTINEThink of it! A secret engagement!Look - your future bride!Just think of it!RAOULBut why is it secret?What have we to hide?You promised meCHRISTINENo, Raoul, please don’t. They’ll seeRAOULLet them seeIt's an engagement, not a crime!Christine, what are you afraid of!CHRISTINELet's not argue ...RAOULLet's not argue ...CHRISTINEPlease pretend ...RAOULI can only hope I'll ...CHRISTINEYou will understand in timeRAOUL.I will understand in timeALLMasquerade!Paper faces on parade!Masquerade!Hide your face, so the world will never find you!Masquerade!Every face a different shade!Masquerade!Look around -There's another mask behind you!Masquerade!Burning glances turning heads ...Masquerade!Stop and stare at the sea of smiles around you!Masquerade!Grinning yellows, spinning reds ...Masquerade!Take your fill -let the spectacle astound you!8.Wishing You Were Somehow Here AgainCHRISTINEYou were once my one companion ...you were all that mattered ...You were once a friend and father -then my world was shattered ...Wishing you were somehow here again ...Wishing you were somehow near ...Sometimes it seemed,if I just dreamed,somehow you would be here ...Wishing I could hear your voice again ...knowing that I never would ...Dreaming of you won't help me to doall that you dreamed I could ...Passing bellsand sculpted angels,cold and monumental,seem, for you, the wrong companions -you were warm and gentle ...Too many yearsfighting back tears ...Why can't the past just die ...?Wishing you were somehow here again ...knowing we must say goodbye ...Try to forgive ...teach me to live ...give me the strength to try ...No more memories, no more silent tears ...No more gazing across the wasted years ...Help me say goodbyeHelp me say goodbye9.The Point of No ReturnPHANTOMPassarino - go away!For the trap is set and waits for its prey!You have come here in pursuit ofyour deepest urge,in pursuit of that wish,which till now has been silent,silent ...I have brought you,that our passions may fuse and merge -in your mind you've already succumbed to me,dropped all defenses,completely succumbed to me -now you are here with me:no second thoughts, you've decided,decided ...Past the point of no return -no backward glances:Our games of make-believe are at an end ...Past all thought of if or when -no use resisting:abandon thought, and let the dream descend ...What raging fire shall flood the soul?What rich desire unlocks its door?What sweet seduction lies before us...?Past the point of no return,the final threshold -what warm, unspoken secrets will we learn?Beyond the point of no return ...CHRISTINEYou have brought me to that momentwhen words run dry,to that moment when speech disappears into silence,silence ...I have come here,hardly knowing the reason why ...In my mind, I've alreadyimagined our bodies entwining, defenseless and silent -and now I am here with you:no second thoughts, I've decided,decided ..Past the point of no return -no going back now:our passion-play has now at last begun ...Past all thought of right or wrong -one final question:how long should we two wait, before we're one...?When will the blood begin to race,the sleeping bud burst into bloom?When will the flames, at last, consume us...?BOTHPast the point of no return,the final threshold -the bridge is crossed, so stand and watch it burn ...We've passed the point of no return ...PHANTOMSay you'll share with me onelove, one lifetime ...Lead me, save me from my solitude ...Say you want me with you, here beside you ...Anywhere you go let me go too -Christine, that's all I ask of ...10.Learn to be lonely (电影版片尾曲)Child of the wildernessBorn into emptinessLearn to be lonelyLearn to find your way in darknesswho will be there for youComfort and care for youlearn to be lonelyLearn to be your one companionEver dreamed out in the worldThere are arms to hold you?You've always knownYour heart was on its ownSo laugh in your lonelinessChild of the wildernessLearn to be lonelyLearn how to love life that is lived aloneLearn to be lonelyLife can be livedLife can be lovedAlone.
求歌剧魅影的剧本~~全部的，或者是每首歌的歌词~详细的信息~
欢迎每个喜欢此巨著的朋友提问。
我也喜欢sarah演的版本 到我的空间去，你可以找到全部原文歌词及原文剧本： 包括： 1.Think of me 2.Mirror ( Angel Of Music ） 3.Phantom of the Opera 4.Music of the Night 5.Prima Donna 6.All I Ask of You 7.Masquerade 8.Wishing You Were Somehow Here Again 9.The Point of No Return 等 先贴一张给你看是开头第一幕的。
希望你喜欢
这是我的博客哦，我上传的很辛苦呢
希望能得到你的支持
我设了权限，你要我授权给你就发E给我。
注明百度提问申请授权。
申明哦不选我为最佳答案我不给授权的，你可以看下我被采纳的回答，就知道我没骗人哦
你也可以加我为好友，MSN上。
A C T O N E SCENE 1 REHEARSSALS FOR 'HANNIBAL' BY CHALUMEAU (We have reached the great choral scene in which HANNIBAL and his army return to save Carthage from the Roman incasion under Scipio. HANNIBAL is UBALDO PIANGI; ELISSA, Queen of Carthage (his mistress) is CARLOTTA GIUDICELLI. The two leading SLAVE GIRLS are played by MEG GIRY and CHRISTINE DAAE. MME GIRY is the ballet mistress. M. REYER, the repetiteur, is in charge, We join the opera towards the end of ELISSA's (CARLOTTA's) great aria. She is alone, holding a present from the approaching HANNIBAL, a bleeding severed head) CARLOTTA (at the climax of an extravagant cadenza) This trophy from our saviours, from the enslaving force of Rome! (A STAGE HAND carries a ladder across the stage. OTHERS are seen still constructing partsof the scenery) GIRLS' CHORUS With feasting and dancing and song, tonight in celebration, we greet the victorious throng, returned to bring salvation! MEN'S CHORUS The trumpets of Carthage resound! Hear, Romans, now and tremble! Hark to our step on the ground! ALL Hear the drums - Hannibal comes! (PIANGI enters, as HANNIBAL) PIANGI (HANNIBAL) sad to return to find the land we love threatened once more by Roma's far-reaching grasp. REYER (interrupting him) Signor ... If you please; 'Rome'. We say 'Rome', not 'Roma'. PIANGI Si, si, Rome, not Roma. Is very hard for me. (practicing) Rome... Rome ...) (Enter LEFEVRE, the retiring manager of the Opera, with M.FIRMIN and M. ANDRE to whom he has just sold it) REYER (to PIANGI) Once again, then if you please, Signor: 'Sad to return ...' LEFEVRE (to ANFRE and FIRMIN) This way, gentlemen, this way. Rehearsals, as you see, are under way, for a new production of Chalumeau's 'Hannibal'. (Sensing a hiatus in the rehearsal, LEFEVRE attempts to attract attention) LEFEVRE Ladies and geltlemen, some of you may already, perhaps, have met M. Andre and M. FIRMIN ... (The new managers are plitely bowing, when REYER interrupts) REYER I'm sorry, M. Lefevre, we are rehearsing. If you wouldn't mind waiting for a moment? LEFEVRE My apologies. M. REYER, Proceed, proceed ... REYER Thank you, monsieur. (turning back to PIANGI). 'Sad to return ...', Signor ... LEFEVRE (sotto voce to ANDRE and FIRMIN) M. Reyer, our chief repetiteur, Rather a ttyrant, I'm afraid. (The rehearsal continues) PIANGI (HANNIBAL) Sad to return to find the land we love threatened once more by Rome's far-reaching grasp. Tomorrow we shall break the chains of Rome. Tonight, rejoice - your army has come home. (The BALLET GIRLS begin their dance. LEFEVRE, ANDRE and FIRMIN stand centre-stage watching the ballet. The are in the way. The ballet continues under the following dialogue) LEFEVRE (indicating PIANGI) Signor Piangi, our pricipal tenor. He does play so well opposite La Carlotta. GIRY (exasperated by their presence, bangs her cane angrily on the stage) Gentlemen, please! If you would kindly move to one side? LEFEVRE My apologies, Mme. Giry. (leading ANDRE and FIRMIN aside) Madame Giry, our ballet mistress. I don't mind confessing, M. FIRMIN, I shan't be sorry to be rid of the whole blessed business. FIRMIN I keep asking you, monsieur, why exactly are you retiring? LEFEVRE (ignoring this, calls his attention to the continuing ballet) We take a particular pride here in the excellence of our ballets. (MEG becomes prominent among the dancers) ANDRE Who's that girl, Lefevre? LEFEVRE Her? Meg Giry, Madame Giry's daughter. Promising dancer. M. Andre, most promising. (CHRISTINE becomes prominent. She has absentmindedly fallen out-of-step) GIRY (spotting her, bangs her cane again) You! Christine Daae! Concentrate, girl! MEG (quietly, to CHRISTINE) Christine ... What's the matter? FIRMIN (to LEFEVRE) Daae? Curious name. LEFEVRE Swedish. ANDRE Any relation to the violinist? LEFEVRE His daughter, I believe. Always has her head in the clouds, I'm afraid. (The ballet continues to its climax and ends. The CHORUS resumes) CHORUS Bid welcome to Hannibal's guests - the elephants of Carthage! As guides on our conquering quests, Dido sends Hannibals friends! (The ELEPHANT, a life-size mechanical replica, enters. PIANGI is lifted, in triumph, onto its back) CARLOTTA (ELISSA) Once more to my welcoming arms my love returns in splendour! PIANGI (HANNIBAL) Once more to those sweetest of charms my heart and soul surrender! CHORUS The trumpeting elephants sound - hear, Romans, now and tremble! Hark to their step on the ground - hear the drums! Hannibal comes! (At the end of the chorus LEFEVRE claps his hands for silence. The elephant is led off. Two stage-hands are revealed operating it from within) LEFEVRE Ladies and gentlemen - Madame Giry, thank you - may I have your attention please? As you know, for some weeks there have been rumours of my imminent retirement. I can now tell you that these were all true, and it is my pleasure to introduce to you the two gentlemen who now own the Opera Populaire, M. Richard Firmin and M. Gilles Andre. (Polite applause. Some bowing. CARLOTTA makes her presence felt) Gentlemen, Signora Carlitta Guidicelli, our leading soprano for five seasons now. ANDRE Of course, of course. I have experienced all your greatest roles, Signora. LEFEVRE And Signor Ubaldo Piangi. FIRMIN An honour, Signor. ANDRE If I remember rightly, Elissa has a rather fine aria in Act Three of 'Hannibal'. I wonder, Signora, if, as a personal favour, you would oblige us with a private rendition? (Somewhat acerbic). Unless, of course, M. Reyer objects ... CARLOTTA My manager commands ... M. Reyer? REYER My diva commands. Will two bars be sufficient introduction? FIRMIN Two bars will be quite sufficient. REYER (ensuring that CARLOTTA is ready) Signora? CARLOTTA Maestro. (The introduction is played on the piano) CARLOTTA Think of me, think of me fondly, when we've said goodbye. Remember me once in a while - please promise me you'll try. When you find that, once again, you long to take your heart ... (As CARLOTTA is singing, a backdrop crashes to the floor, cutting her off from half the cast) MEG/BALLET GIRLS/CHORUS He's here: the Phantom of the Opera ... He is with us ... It's the ghost ... PIANGI (looking up, furiously) You idiots! (He rushes over to CARLOTTA) Cara! Cara! Are you hurt? LEFEVRE Signora! Are you all right? Buquet! Where is Buquet? PIANGI Is no one concerned for our prima donna? LEFEVRE Get that man down here! (to ANDRE and FIRMIN) Chief of the flies. He's responsible for this. (The drop is raised high enough to reveal upstage an old stagehand, JOSEPH BUQUET, holding a lenth of rope, which looks almost like a noose) LEFEVRE Buquet! For God's sake, man, what's going on up there? BUQUET Please, monsieur, don't look at me: as God's my witness, I was not at my post. Please, monsieur, there's no one there: and if there is, well then, it must be a ghost ... MEG (looking up) He's there: the Phantom of the Opera ... ANDRE Good heavens! Will you show a little courtesy? FIRMIN (to MEG and the OTHERS) Mademoiselle, please! ANDRE (to CARLOTTA) These things do happen. CARLOTTA Si! These thing do happen! Well, until you stop these things happening, this thing does not happen! Ubaldo! Andiamo! (PIANGI dutifully fetches her furs from the wings) PIANGI Amateurs! LEFEVRE I don't think these's much more to assist you, gentlemen. Good luck. If you need me, I shall be in Frankfurt. (He leaves. The COMPANY looks anxiously at the NEW MANAGERS) ANDRE La Carlotta will be back. GIRY You think so, messieurs? I have a message, sir, from the Opera Ghost. (The GIRLS twitter and twirl in fear) FIRMIN God in heaven, you're all obsessed! GIRY He merely welcomes you to his opera house and commands you to continue to leave Box Five empty for his use and reminds you that his salary is due. FIRMIN His salary? GIRY Monsieur Lefevre paid him twenty thousand francs a month. Perhaps you can afford more, with the Vicomte de Chagny as your patron. (Reaction to this from the BALLET GIRLS. CHRISTINE takes hold of MEG nervously) ANDRE (to GIRY) Madame, I had hoped to have made that announcement myself. GIRY (to FIRMIN) Will the Vicomte be at the performance tonight, monsieur? FIRMIN In our box. ANDRE Madame, who is the understudy for this role? REYER There is no understudy, monsieur - the production is new. MEG Christine Daae could sing it, sir. FIRMIN The chorus girl? MEG (to FIRMIN) She's been taking lessons from a great teacher. ANDRE From whom? CHRISTINE (uneasily) I don't know, sir ... FIRMIN Oh, not you as well! (turning to ANDRE) Can you believe it? A full house - and we have to cancel! GIRY Let her sing for you, monsieur. She has been well taught. REYER (after a pause) From the beginning of the aria then, mamselle. CHRISTINE Think of me, think of me fondly, when we've said goodbye. Remember me once in a while - please promise me you'll try. FIRMIN Andre, this is doing nothing gor my nerves. ANDRE Don't fret, Firmin. CHRISTINE When you find that, once again, you long to take your heart back and be free - if you ever find a moment spare a thought for me ... (Transformation to the Gala. CHRISTINE is revealed in full costume) We never said our love was evergreen, or as unchanging as the sea - but if you can still remember, stop and think of me ... Think of all the things we've shared and seen - don't think about the things which might have been ... Think of me, think of me waking, silent and resigned. Imagine me, trying too hard to put you from my mind. Recall those days, look back on all those times, think of the things we'll never do - there will never be a day, when I won't think of you ... (Applause, bravos. Prominent among the bravos, those of the young RAOUL in the MANAGERS' box) RAOUL Can it be? Can it be Christine? Bravo! (He raises his opera-glasses) What a change! You're really not a bit the gawkish girl that once you were ... (lowering his opera-glasses) She may not remember me, but I remember her ... CHRISTINE We never said our love was evergreen, or as unchanging as the sea - but please promise me, that sometimes, you will think of me!
歌剧魅影的观后感
《歌剧魅影》观后感一个是因毁容而藏在歌剧院深处的音乐天才，一个是貌美可爱的年轻女演员，还有一个是英俊无畏的年轻伯爵，看似复杂的爱情关系改变了三个人的命运，记录了一段永生不可忘的人生旅途。
魅影爱上了年轻的Christine，便不遗余力的把她打造成了耀眼的女高音歌唱家，以为自己可以拥有她的一切。
然而当他发现Christine与一位伯爵Raoul相爱后，感到自己受了欺骗，爱也转化成了怨恨，怒火填充了扭曲的心灵，决意以Raoul的生命来换取Christine对他的爱。
最终，Christine的吻消释了一切，魅影也彻底觉悟，放了那对恋人，再次走向了无尽的黑暗。
。
。
拥有感人的故事，只能算是一部好电影；而这部歌剧影片中大量的歌剧不得不令人叹为观止，特别是女高音的咏叹调及主题曲，不禁令我心驰神往，心中有中莫名的感动。
我想,我只是把心中所想用贫瘠的文字去表述。
影片采用追忆的手法。
通过年迈的伯爵在拍卖会上购得的一些物品所产生的回忆来展开剧情的发展。
一只30镑的玩偶猴子验证了那段历程。
从年少的魅影逃离马戏团时不忘带走的那只肮脏猴子到隐居歌剧院后那只被精心打扮过的可以击钗的猴子，一切似乎都没有改变。
绝望的魅影在永绝人世之前所唯一做的事便是在那只玩偶猴子前轻吟，眼眸中透出一丝淡淡的陶醉与满足之情，夹杂着对他而言一生不可及的幸福。
片尾处，伯爵带着玩偶来到了墓园，伫立在Christine的墓前，祭奠自己离世不久的妻子，并将玩偶放在了墓碑前，希望她在天国依然能忆起那个曾经出现在她生命当中的魅影。
刹那间，伯爵发现墓的角落摆放了一枝暗红的玫瑰，枝叶间穿插着一枚银戒指-----这些都曾是魅影向Christine示爱的信物。
似乎一切都在暗示魅影依旧在人间，依旧在不为人知的角落深深爱着Christine。
。
。
这样执著，亘古不变的爱是否还会流传于世间
即使换来的仅仅是苟且度过一生
一个关于爱的故事什么是爱
谁能说得清道得白呢
两情相悦的幸福，背后总有自我牺牲的悲壮。
包容是爱，宠溺是爱，暗恋是爱、依恋是爱、虐恋也是爱……我们每个人都深深的陷入爱的漩涡。
期待着、享受着、回味着、追忆着爱。
剧院魅影，一个出生于贵族家庭的“象人”，面具是他来到这个世界以后穿的第一件衣裳。
仅仅是因为他的容貌。
他被光鲜的世界排斥了，没有尊宠、没有关爱。
漂泊四方，在任何地方都成为别人猎奇的目标，甚至成为马戏团铁笼中的小丑。
……喜爱“魅影”这个角色，因为他虽然容貌丑陋，但这掩盖不住他那与生俱来的贵族气质，遮蔽不了他出众的才华，也无法抑止他对爱的追求。
他爱克里斯汀，一个巴黎歌剧院里看上去默默无闻的舞者。
“魅影”为她创作优美的音乐、华丽的歌剧、教导她歌唱、训练她的舞姿。
帮助她成为一个令整个巴黎倾倒的女神。
“魅影”以为克里斯汀就是他的，或者说是因为他向她倾注了所有的热情。
她代表了他所有的理性（对音乐的热爱）与非理性（对爱的痴狂）的追求。
当克里斯汀与拉乌尔在巴黎歌剧院的楼顶海誓山盟的时候，魅影的心碎了。
再次感到无依无靠、被抛弃。
凄厉的呼喊响彻巴黎的夜空，却仍然无法改变命运的安排。
他并不想复仇，或者说，他也知道自己无力改变现实世界中的一切，所以他才会使用偷梁换柱的手法，杀死皮昂吉，把自己扮演成唐璜，成为他为克里斯汀创作的歌剧中的角色，在厚厚的披风下掩饰自己的面容，在警察遍布的巴黎歌剧院中，在舞台上与他心中的爱人上演这幕绝唱。
希望在他自己创造的世界中，成为爱的主宰。
也许，他知道，在现实上演的悲喜剧中，他必须死。
他带走了克里斯汀，然而，他真的是为了占有她、霸占她吗
未必。
因为当克里斯汀不在乎他的容貌，给他深情的一吻时，他颤抖了。
我甚至能感觉到那副“怪兽”似的脸上在流泪。
这是一种幸福的感觉，一种常人难以体味的幸福。
他并不残忍，也不缺同情心，他需要的是他人的尊重，所爱的人对他的尊重。
他可以放弃克里斯汀，让她与拉乌尔远走高飞。
但希望看到克里斯汀的坦诚，看到拉乌尔的执着。
当拉乌尔宁肯被吊死，也不愿放弃克里斯汀的时候，魅影明白了，这个看似柔弱的男人，拥有更大的勇气。
对爱的追求，能给人和脆弱的人带来巨大的勇气。
爱的力量能促使我们忘记一切恐惧、去争取。
也许我们可以说，魅影的残忍来自于他童年的不幸经历、来自于他自卑的人格。
但我们又怎能评价一个人人格的优劣呢
每个人都是在一次次的伤害中成长。
受到别人伤害的时候，往往也会伤害别人。
但我觉得，拉乌尔对克里斯汀的爱，更多的是一种对年少伙伴的梦幻般想象。
或者说，歌剧在对他们两人爱情的刻画上多少显得有些单薄。
让人感到只是一个灰姑娘遇见王子的梦幻。
甚至让人以为，克里斯汀因为拉乌尔贵族的身份和财富才跟他在一起的。
而拉乌尔和克里斯汀后来怎样呢
无从得知。
歌剧开始的拍卖会上，为什么只有拉乌尔一个人呢
克里斯汀呢
30年的时间已是沧海变桑田，但这个倾城的美丽女孩，是否已长眠地下了呢
更不知道她是否还记得那个拥有丑陋却极富才华的 魅影 。
一种令人心醉的美丽华丽的服饰、精致的布景、变幻莫测的舞台，再加上专业的演员。
使得这幕百老汇的歌剧显得如此美丽。
从演出开始，巴黎歌剧院的拍卖会上展示第663件拍品的时候，就感觉自己仿佛来到了1911年的巴黎。
昏暗的拍卖会现场、垂垂老矣的拉乌尔，落满灰尘的海报，有些机械失灵的铙钹，倾覆的吊灯，让人情不自禁的投入其中。
倏的一下时空倒转，30年前的巴黎歌剧院一片金碧辉煌。
《汉尼拔》的排演，有些耍大牌的皮昂吉腆着肚子在演唱。
灯光照得他将军的盔甲闪闪发亮。
只有惊叹的份。
……当场景转移到歌剧院的地下湖时，干冰营造出梦幻般的效果。
小舟在湖面穿行。
魅影此时仿佛变成驾驶贡多拉的船工，引领着克里斯汀来到他的宫殿。
当拉乌尔与克里斯汀为了避开魅影，来到歌剧院楼顶的时候，背景墙上显现的是19世纪巴黎的迷人夜景。
街巷里闪烁的烛光与满天繁星呼应。
仿佛在星河中徘徊。
克里斯汀来到她父亲的墓前倾诉心声与困扰。
魅影出现在十字架旁。
深情的演唱，矛盾的心理，灰暗的服饰、苍白的面具，加上幽暗的十字架。
让人也为他感到无限悲哀。
而当歌剧的最后，一个女孩来到曲折的地下室，发现魅影那件披风下的面具，拿起端详、定格的时候，忽然间感到时光流转。
这感觉不亚于电影中的蒙太奇镜头。
看到这个场面，我是第一次彻底折服于剧场演出的魅力。
令人无法言表的感动，那是一种令人心醉的美丽。
第一次进上海大剧院看演出，深深的折服于歌剧的魅力。
只能说，《剧院魅影》带给我的感觉，就是一段传奇，一出悲喜剧，一个关于爱的故事，一种令人心醉的美丽。
也不知道你满意不